"Today the shadow of all things were small moons on the ground.
The dim light, the silence of animals, people looking at each
others as if they had not ever seen the light of hope that
everything will happen in the eyes of strangers, responding to an ancient fear, when we were still tribal and individuality was a mere chimera, all that accompanied the eclipse of the sun. "
“Hoy las sombras de todas las cosas eran pequeñas lunas sobre el suelo.
La luz mortecina, el silencio de los animales, la gente mirándose unos a otros como si no se hubieran visto nunca, esa luz de esperanza de que todo pasará en los ojos de los desconocidos, respondiendo a un temor ancestral, de cuando aún éramos tribu y la individualidad era una mera quimera, todo eso, acompañó al eclipse de sol.”
credits
from Diario Perdido,
released May 22, 2011
Manoel Macia: Fender 12-Strings Acoustic Guitar JG/12CE
Rafael Pacha: Piano, Electric guitar Fender Strato
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)