"The sleepless night, refuses to let me go.
I was tired of absorbing the life around me, and like all things, I faded in the dark and warm light of stars.
Cease to be, only for a while, to open the door to another
place, and float peacefully by the fantasy that is behind the door."
“La insomne noche, se negaba a dejarme partir.
Me sentía cansado de absorber la vida a mi alrededor, y como todas las cosas, me desvanecía entre la penumbra acogedora de la luz de las estrellas.
Dejar de ser, aunque sólo fuera por un rato, para abrir la puerta al otro lado, y flotar plácidamente por la fantasía que esta tras el umbral.”
credits
from Diario Perdido,
released May 22, 2011
Manoel: Electric guitar.
Rafael: Circulation of acoustic guitars, electric guitar, electric bass and Drums.
supported by 6 fans who also own “07 El Reino de la Conciencia dormita”
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
supported by 6 fans who also own “07 El Reino de la Conciencia dormita”
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)