"In the darkness of the attic, between junk that once accompanied someone's life and had a meaning, illuminated by light that slipped through a hole in the ceiling, lay a book.
I opened it, and after a first reading, I realized it was my
own diary, written I don’t know when or where, and all the things who quietly surrounded him, were once mine.
I had forgotten myself."
“En la oscuridad del desván, entre trastos que una vez acompañaron la vida de alguien y que tuvieron un significado, iluminado por la luz que se colaba por un agujero del techo, descansaba un libro.
Lo abrí, y tras una primera lectura, me dí cuenta de que se trataba de mi propio diario, escrito no se cuando ni donde, y que todos aquellos cachivaches que lo acompañaban en silencio, una vez fueron míos.
Me había olvidado de mí mismo.”
credits
from Diario Perdido,
released May 22, 2011
Manoel: Acoustic guitar.
Rafael: Piano, mandolin, electric bass.
supported by 6 fans who also own “11 Diario Perdido”
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
supported by 6 fans who also own “11 Diario Perdido”
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)