".... After a brief attempt to catch sleep, I decided get up off the heavy bed, which caught me as a unbearable womb.
The silence at night this time of year when even the birds
night are not aware of spring, was comforting.
It started suddenly in the distance, with a touch of sadness, a note of loneliness and a cry of longing, the howling.
To him were joining other voices, for sympathy, and gradually
brought the message, "we’re like you, but if we hear us and sing like you is because we are not alone".
It was the song of the dogs, ended on a note of hope. "
“....tras unos breves intentos de atrapar al sueño, me decidí por levantarme del pesado lecho, que me atrapaba como una matriz insoportable.
El silencio en la noche, en esta época del año en la que aún los pájaros nocturnos no se han enterado de la primavera, era reconfortante.
De pronto empezó, a lo lejos, con un toque de tristeza, una nota de soledad y como un grito de añoranza, el aullido.
A él se fueron uniendo otras voces, como por simpatía, y poco a poco se elevó el mensaje, "nos sentimos como tú, pero si nos oímos y cantamos contigo es porque no estamos solos", era el canto de los perros, que acabó con una nota de esperanza.”
credits
from Diario Perdido,
released May 22, 2011
Rafael Pacha: Acoustic guitar, mandolin, electric guitar,
synths, bass, drum programming
Manoel Macia: 12-string acoustic guitar, electric guitar.
supported by 6 fans who also own “02 El Canto de los Perros”
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
supported by 6 fans who also own “02 El Canto de los Perros”
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)