"The symbol of the wall, coiling himself while fleeing
from his opposing part, was sinking deeply in the center that
links both.
At the same time, he talked to me about the duality of aversion and attraction, mocking about the human beings who ever came to behold him, always think the same thought, felt perplexed, and finally, with a nod, they part discovering how many things had to learn yet."
“El símbolo de la pared, se enroscaba en sí mismo, a la vez huyendo de la parte antagonista y hundiéndose cada vez más en el centro que las enlazaba.
A la vez, me hablaba de la dualidad y de la aversión y atracción, burlándose de que a los seres humanos que alguna vez llegaban a contemplarlo, siempre les ocurriera lo mismo; pensaban, y se sentían perplejos, y al final, con un movimiento de cabeza, se alejaban, descubriendo cuántas cosas debían aprender aún.”
credits
from Diario Perdido,
released May 22, 2011
Manoel: acoustic and electric guitars.
Rafael: Bass synth, banjo, Hammond organ, electric guitar.
supported by 6 fans who also own “09 A Contrariis”
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
supported by 6 fans who also own “09 A Contrariis”
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)