"She felt sick again, sad, thinking of the injustice that was to leave her children's clothes, with whom she could play, run, climb trees to hear the birds singing and to lie on the grass, not fear of reprimand.
Everything was changing from a time until now.
They treated her respectfully, seriously, no longer used to tease her, while his body changed.
Loneliness had become a lady who was constantly
beside her, watching her behavior.
But in substance, even with the corset that oppressed her, all remained the same, and everything and nothing had changed."
“Ella se sintió mal de nuevo, triste, pensando en la injusticia que suponía abandonar su ropa infantil, con la que podía jugar, correr, subir a los árboles a oir el canto de los pájaros y tumbarse en la hierba, sin miedo a una reprimenda.
Todo estaba cambiando de un tiempo a esta parte.
Todos la trataban con deferencia, con seriedad, ya no le gastaban bromas, a la vez que su cuerpo cambiaba.
La soledad se había convertido en una dueña que constantemente estaba junto a ella, cuidando su comportamiento.
Pero en el fondo, aunque su nuevo corsé la oprimía, seguía siendo la misma, y todo y nada había cambiado.”
credits
from Diario Perdido,
released May 22, 2011
Rafael: Acoustic guitar, electric, synthesizer, bouzouki, bodhran, darbuka, Bendir, drum programming.
Manoel: electric and acoustic guitars.
supported by 6 fans who also own “10 El Corsé de la Princesa”
New releases by Manoel Macía always are a sure thing - 100% certainty that you'll get the best of the best symphonic rock with lots of lush guitar and synth arrangements, featuring perpetually flowing melodies and chords, which Manoel Macía is renowned for. It's totally unpredictable what will follow next within a track. If you like this album, try "La noche escalonada" and "Infinito", too - you will be royally pleased. Sven B. Schreiber (sbs)
supported by 6 fans who also own “10 El Corsé de la Princesa”
Manoel Macía's latest work at the time of this writing is an epic 39-minute instrumental suite, celebrating all of the exquisite sounds that can be created with guitars, mandolins, and synths. This album is restless in the most positive meaning of the word - that is, it never stays for too long with a theme, but moves on perpetually to great new ideas. I recommend to put on your "Anthony Phillips ears" to listen to this music. Sven B. Schreiber (sbs)