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10 El Corsé de la Princesa

from Diario Perdido by Manoel Macia & Rafael Pacha

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"She felt sick again, sad, thinking of the injustice that was to leave her children's clothes, with whom she could play, run, climb trees to hear the birds singing and to lie on the grass, not fear of reprimand.
Everything was changing from a time until now.
They treated her respectfully, seriously, no longer used to tease her, while his body changed.

Loneliness had become a lady who was constantly
beside her, watching her behavior.
But in substance, even with the corset that oppressed her, all remained the same, and everything and nothing had changed."



“Ella se sintió mal de nuevo, triste, pensando en la injusticia que suponía abandonar su ropa infantil, con la que podía jugar, correr, subir a los árboles a oir el canto de los pájaros y tumbarse en la hierba, sin miedo a una reprimenda.
Todo estaba cambiando de un tiempo a esta parte.
Todos la trataban con deferencia, con seriedad, ya no le gastaban bromas, a la vez que su cuerpo cambiaba.
La soledad se había convertido en una dueña que constantemente estaba junto a ella, cuidando su comportamiento.
Pero en el fondo, aunque su nuevo corsé la oprimía, seguía siendo la misma, y todo y nada había cambiado.”

credits

from Diario Perdido, released May 22, 2011
Rafael: Acoustic guitar, electric, synthesizer, bouzouki, bodhran, darbuka, Bendir, drum programming.
Manoel: electric and acoustic guitars.

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Manoel Macia & Rafael Pacha Madrid, Spain

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